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Traditional Mantra
Melody and Musical Arrangement by Ananda Yogiji

The darkness of ignorance dissipates completely as white golden light fills the air. Everything around us begins to shimmer and sparkle like diamonds. We are now entering the consciousness of the Goddess Gayatri, where pure light and sound merge. We invoke the Gayatri Mantra as the essence of the Vedas according to the ancient rishis (masters). This mantra calls for amrita (divine nectar) to fall from the higher planes of consciousness to this one. It connects us to the eternal light of our divine intelligence, filling our every cell with the radiance of divine light. We are able to comprehend our place in the universe and the part we play in this life. Reciting this mantra while gazing into the setting sun, our divine potential is opened up to us as we offer ourselves fully to each majestic moment.

lyrics

Om Bhur Bhuva Svah Tat Savitur Varenyam Bhargo Devasya Dhimahi Dhiyo yo Nah Prachodyat

May our intellect (Dhiyo) bear (Dhimahi) that Supreme Consciousness which embodies and protects the vital-spiritual energies (Bhur), eliminates suffering (Bhuvah), embodies happiness (Svah), and that (Tat) self-luminous divine brilliance and ultimate creative source (Savitur), the best of the best, most virtuous (Varenyam). Potential cleanser of all our imperfections (Bhargo)—aggregation of all divine virtues and strengths (Devasya). We pray to propel (Prachodayat) our intellect (Dhiyo) on the divine-righteous path to unfold spiritual potentiality and enlightenment.

credits

from Saraswati Dreams, released July 29, 2014
Featuring Hans Christian on cello.

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Jaya Lakshmi and Ananda Das Oregon

Jaya Lakshmi and Ananda Das are musical artists in the genre of mantra music and heart songs. They offer a unique mix of kirtan, healing mantra music, singer/songwriter devotional English songs and Kirtronica (Mantra/Kirtan based electronic dance music). They both sing, play guitar and harmonium and in addition Ananda plays bansuri flute and Jaya Lakshmi plays keyboard. ... more

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